Ilford Multigrade Educational Filter Kit, 8.9cm x 8.9cm


  • Product Description

      Easy to use, 8.9x8.9cm, speed matched filters with pre-defined grades. Designed to work with black & white photographic enlargers and colour enlargers in white light mode.

      • Simple contrast control
      • Speed matched with pre-defined grades
      • Contains 6 full grade increments from 00 to 5
      • Can be used above or below the lens
      • Compatible with all Multigrade papers

      If your enlarger has a filter drawer, you can simply drop filter squares into the drawer to change the contrast of ILFORD MULTIGRADE paper. If your enlarger lacks a filter drawer, you will need to use mounted filters, by sliding them into an adaptor under the lens. If you plan to make prints with divided filtration, using a below-lens kit reduces the risk of moving the enlarger head between exposures.

      Filter transmission values are based on the assumption that a tungsten light source will be used to expose the paper. The optical quality of the filters is high, so they may be used anywhere in the enlarger light path. If you use them below the lens, you must handle them with particular care to avoid finger marks and other blemishes. You can clean the filters with a soft cloth or camel-hair brush.


      Instead of MULTIGRADE filters, you could use a MULTIGRADE 500 head on your enlarger (see under “Multigrade Heads”) or a colour head (suggested settings for some common models are given under “Colour Enlargers”). In addition, some enlargers (e.g. some Leitz and some Durst models) can be adapted for use with MULTIGRADE by adding a variable contrast module similar to a colour head; and some manufacturers (e.g. Kaiser and LPL) make special MULTIGRADE heads for their enlargers.

      However, there are very good reasons why you should still buy and use MULTIGRADE filters. The yellow and magenta filtration controls of most enlargers lack the extreme values that are needed to produce really low and high contrast; and cheaper enlargers have non-linear filtration controls that make consistent fine adjustment of contrast difficult at each end of the scale. Most important of all, though, is the fact that the filtration in your colour head is not density-balanced. Each time you change filtration, you will need to carry out a calculation to determine the new exposure time. MULTIGRADE filters are not expensive, and using them will save you much time and trouble.

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